The work’s shape is a kind of ancestral mask, with holes and perforations: fragile links of internal and external relationships: an irregular network based on repetition, on transforming what horizontally verti- cally, to provide three-dimensionality to the plane, to write a biographical account with other elements, in the action of rising independently of the circumstances, etc. All of this affects the unfinished nature of the structures and the impossibility of achieving any certainty. The perforated circles are an element that is constantly repeated in the work of the artist. In this case, these holes become a symbol of sliding with friction. The hemp, barely treated material, raw, rough, earth colour, subdued in the hands, anticipates a more atavistic culture.