Figueretes

Residencia de investigación, experimentación y cocreación

A melting pot in which innovative ideas and emerging artistic practices from all kinds of backgrounds can coalesce in co-creational projects

See "A Manifesto of Presence"

Figueretes 2022 was a residency program for international artists and collectives under 35yo gathering on the island of Ibiza. Curated by Linda Rocco, this edition experimented with notions of presence and ways of working together to connect with the unfamiliar territory and its existing resources. The two-months hybrid residency looked at artists as connectors or catalysts for creative and cultural fervor, having been historically termed radar and antennae for the future with an ability to imagine the unthinkable.

The hybrid format blended IRL events with and for local audiences, offering specialized and general publics the opportunity to meet and discuss with those in residence. Simultaneously, an online program situated the project at the core of an international panorama of contemporary concerns. Experimenting with co-organising through dialogue and technology-driven approaches to cultivate a lively sociotechnical scenario.

Working fluidly across media and disciplines, the invited artists approached the multicultural communities living on the island, the distinctive natural landscape and creative scene, as the canvas, the operating theatre, or the playing field for their work, questioning what it means for artists to be present nowadays: How can that generate meaningful ripple effects within localities? What does presence feel like in an increasingly digitized environment?

The residency period culminated with a public event showcasing a Manifesto of Presence that connects the material, thematic, human and emotional context of the island. Encompassing numerous contributions, including multimedia artworks, reflections, notes and conversations, the manifesto captures the global horizon of emerging contemporary art practices.

From February 22 to April 13, 2022

RESIDENTS

RESIDENTS

RESIDENTS

RESIDENTS

RESIDENTS

Andrés Izquierdo

Bio
Andrés Izquierdo (Madrid, ES, 1993) makes use of psychoanalysis and allegory to inspire an exploration of childhood, grief and the restorative qualities of space and the object. Using a number of different and varied media—including mobile sculptures, furniture design, figurative ceramics, marker pen drawings and architectural installations— his works are driven by a juxtaposition of contrasting anarchic yet structured conditions, earth and sky, biology and theology, or emergence and dissolution. Fascinated by what is and yet at the same time isn’t, Izquierdo interweaves physical presence, that is, landscape, cosmology and phenomena with conscious contemplation in the form of intrusive thoughts, daydreams and other bodily sentiments and stimuli.   Exhibitions and projects 2024 Camper Lab Pop Up, Solo project, Voo, Berlin, DE; 2024 Ensanchar la puerta, comisario Joaquín García, Group show, Centro Centro, Madrid, ES; 2023 El párpado lleno, Solo project, La Mosca, Madrid, ES; 2022 El niño con la boca en forma de Luna, Solo show Galería Belmonte, Madrid, ES; 2022 We belong to each other, comisaria Chus Martínez, Carlier Gebauer, Berlín, DE; 2022 Sociedad Concreta, comisario Fernández Pello, Group show, The Goma, Madrid, ES; 2022 Arco Lisboa, Duo show, Lucía Bayón, Intersticio, Lisboa, PT; 2021 Super Group 2, Group show,  Superhouse, Nueva York, US; 2021 Summer Show, Group show, Palau de Casavells, Gerona, ES; 2021 Rayo del alba, Group show,  Matadero, Madrid, ES; 2021 Claro del Bosque, Group show,  Intersticio, Madrid, ES; 2021 Stripped bones to pagan barf, Solo project, Aparador Monteleón, Madrid, ES; 2020 Corpus Callosum, Solo project, Habitación 34, Madrid, ES; 2019 Errata: Books do Clutter a Room, Group show, Mast, Nueva York, US; 2019 Turning into red thin air, Solo project, Festival Mayrit, Madrid, ES; 2019 Movemento, Group show, Camp Design Gallery, Milán, IT; 2019 Functional Art, Group show, Galería 6mas1, Madrid, ES; 2019 The biggest living room in the Netherlands, Dutch Design Week, Eindhoven, NL.
Proyecto
Project
‘It is said that Ibiza is a deeply spiritual and magical territory. A great deal of the images I utilise to construct my practice come from such states of mind. I am interested in the psychological and emotional experiences that arise through the exploration of the inner and the outer (the body and the space). During the residency I researched and engaged with sacred geological formations, communities, rites, symbolisms and myths that have made the island a space of pilgrimage, catharsis and psychological growth. The outcome of my investigation consist of a series of paintings and ceramics reflecting on my experience and spiritual journey on the island.’

Jorge Isla

Bio
Jorge Isla is a visual artist based in Bilbao. Since 2015, his practice focuses on observing and analyzing the reality and of the modes of production and consumption of contemporary society. His works is a meeting point between sculpture, video art and photography. In 2015 he won the VEGAP, in 206 MAPA Grant of LENS School, and in 2017  Visual Arts Grant from the Spanish Ministry of Culture in the Collège d’Espagne à Paris. His work has been exhibited in different solo and group shows such as The Natural History Museum of the Universitat de València (2018), Photoespaña (2017), XV Bienal de Fotografía of Córdoba (2017), Kir Royal Gallery (2017, Madrid), Antonia Puyó Gallery (2017, Saragossa), Contemporary Art Glass Museum of Alcorcón (2018, Madrid), Centro de Creación Contemporánnea Matadero (2018, Madrid), Art Lima (2018, Lima), Unseen Art Fair (2018, Amsterdam), Estampa Art Fair (2017 and 2018, Madrid), Photo London Art Fair (2019, London). http://jorgeisla.com/ | @jorgeisla.nft
Proyecto
Project
‘My practice examines the mechanisms of contemporary society through exploring the hidden narratives of current political, social and economic structures. Departing from a social base, I’m interested in the paradoxical relationships between the real and its representation, presence and absence, original and copy, collection and rearrangement. Working across media with writing, image creation, video and installation, I produced a work entirely shaped by the context and nature of my experiences on the island, sourcing local materials from the daily and immediate context, their collection, reinterpretation, manipulation and intervention, to create contemporary conceptual objects.’

Keiken

Bio
Keiken is an artist collective, co-founded by Tanya Cruz, Hana Omori and Isabel Ramos in 2015. Based between London and Berlin, they come from mixed diasporic backgrounds (Mexican/Japanese/European/Jewish). They are collaboratively building and imagining a Metaverse to simulate new structures and ways of existing and to test-drive possible futures. Keiken creates these speculative worlds through filmmaking, gaming, installation, Extended Reality (XR), blockchain and performance. Keiken are a winner of the Chanel Next Prize. Recent selected exhibitions include: 2nd Thailand Biennale, Korat; House of Electronic Arts HEK, Basel; Russian Federation Pavilion, 17th Venice Architecture Biennale, Venice; Koenig Galerie, Decentraland; FACT, Liverpool; HAU Hebbel am Ufer, Berlin; Frankfurter Kunstverein, Frankfurt; transmediale, Haus der Kulturen der Welt HKW, Berlin (2020); Institute of Contemporary Arts ICA, London; Jerwood Arts, London (2019). https://keiken.cloud/ | @_keiken_
Proyecto
Project
‘We have created a prototype haptic wearable pregnant womb. Currently, it explores the creation of empathy technologies through an observational device that allows the audience to connect to the consciousness of other animals. During the residency, we have tested and developed the haptics, sensors, biometrics and design as well as experimenting with soft robotics. We're interested in creating emancipatory technology that is holistic and cosmic, inspired by what the island has to offer, its nature and multicultural community. We have carryied out research into simulation theory, dreams, deities, neuroscience and perception, continuing building our Metaverse, birthing narratives and worlds that could exist there.’

Katrine Skovsgaard

Bio
Katrine Skovsgaard is a Danish artist working between Copenhagen and London. She is the recipient of the Sven Dalsgaard Honorary Award for young experimental artists, HIGH Prize of Creative Excellence and the 15th of June Foundations Honorary Award. Her work investigates ways to communicate subjective sensory and emotional experience, especially those personal experiences we do not talk about and those we do not notice. Her research is based on art practice and located at the intersection of understandings of shame, chronic pain, sharing and mutual care. Her work has been exhibited at Brandts, c4 Projects, Copenhagen Art Week, Kunsthal Aarhus, Middelfart Museum and The Psychiatry in Southern Denmark, Montez Press Radio, Sorø Art Museum, Vollsmose Culture House and elsewhere. https://www.katrineskovsgaard.net/en/Home | @katskovsgaard
Proyecto
Project
‘Touch is the first sense that we develop. It is an incredibly nuanced and varied sense that can mean something different to all of us. With touch, we can move from inconsequential to salient in an instant. There are many qualities and emotions connected to touch, and it can be both comforting, uncomfortable, intimate and connecting. At Figueretes I will explore stories of and attitudes towards touch through reading, writing and an art practice that focuses on audio, photography and tactile materials, such as fabrics. I will be interviewing and co-creating with people around the island who work primarily with their hands, collecting emotional stories and attitudes towards touch.’

Ndayé Kouagou

Bio
Ndayé Kouagou is an artist and performer based in Paris, his practice always starts from texts of which he is the author. Voluntarily or involuntarily confused, he tries as best as he can to bring a reflection on these 3 topics; legitimacy, freedom and love. The result is... what it is.  He describes his work as ‘quite interesting, but not that interesting or maybe not interesting at all’. He has presented his work among others at Auto Italia South East (London), Centrale Fies (Dro/Italy) and Lafayette Anticipation (Paris) where he also launched his publishing project YBR* (Young Black Romantics). https://youngblackromantics.com/ | @youngblackromantics
Proyecto
Project
‘I don't know anything outside of words, so words are the only thing I can promise to attest my presence. I shaped them and found a fitting way to give form to these words during the residency. A form directly linked with what I discovered meeting the island, the other residents, and the local community. Those words could be declined in many different ways, and they did in mural painting and installation. I also leaded a collaborative writing workshop ‘Will you feel comfortable in my corner?’, making a link in between people's writing and sense of self.’

Raissa Pardini

Bio
Raissa Pardini is an Italian-borned, UK based visual artist who works mainly with music and culture. 16 of her poster work were recently added to the V&A permanent collection as part of a documentation of the current wave of rising British music scene. She has been working for many of the most interesting artists and projects around the world: From Apple Music to MTV, Sony to Vevo, NYTimes, Adobe, WeTransfer and worked with artists like Måneskin, Nadia lee Cohen, Paul Weller, Idles, Khruangbin, among others. Raissa has been extremely active with talks, seminars, free mentorship programs, festivals, where she speaks about the importance of visuals in the music industry trying to raise interesting topics and get a younger crowd inspired to follow a similar path. She has been hosting for Adobe Live, at the main OFFF stage in Barcelona, Wide Awake Festival, guesting for Rough Trade podcast, Synesthesia, BIMM Institute and countless universities around Europe. https://raissapardini.com/ | @raissa_pardini
Proyecto
Project
‘The details of the island. The details of the sound. The details of its land. I  recorded the sound that comes from the shore, the animals, the wind. The sound that has always been there and always will. I will find loops, repetitions, mechanisms that inspire me to translate sound into letters, letters into words and words into compositions. The work, a composition of visual notes and loud words, is an audiovisual manifestation of what presence really is, particularly the presence of Ibiza, through subtle details we donʼt often notice… A gentle sound we are used to hearing and donʼt appreciate anymore; a wave we donʼt stop and lock its patterns into our memories.’

Linda Rocco - curator

Bio
Linda Rocco is a London-based contemporary art curator and PhD researcher at the Royal College of Art with a full LAHP/AHRC doctoral award. She is the lead creative producer of Liberty at The Greater London Authority (GLA) and has curated public events and exhibitions internationally, with established small-scale institutions as Goethe Institut, to warehouse spaces as Yinka Shonibare’s Guest Projects, including the curation of the public sphere for Nine Elms on the South Bank. Linda also co-directs the not-for-profit organisation _inventory platform, which engages communities in urban and rural contexts through socially engaged art projects since 2016. Her research interests orbit around alternative organisational methodologies which recognise pluralistic values and experiences in cooperative and distributed ways; long-term cultural engagement and networks creation; blockchain and crypto ecosystems; transdisciplinary experimentation. https://lindarocco.art/about/ | @lindaonmars

Alex Baczynski-Jenkins

Bio
Alex Baczynski-Jenkins is an artist and choreographer engaging with queer affect, embodiment and relationality. Through gesture, collectivity, touch and sensuality, his practice unfolds structures and politics of desire. Previous and solo exhibitions include: Kunsthalle Basel, Switzerland (2019); Foksal Gallery Foundation, Warsaw (2018); and Chisenhale Gallery, London (2017). Baczynski-Jenkins has also presented work at: the 58th International Art Exhibition–La Biennale di Venezia, Venice (2019); Stedelijk Museum, Amsterdam (2019); Migros Museum of Contemporary Art, Zurich (2018); Palais de Tokyo, Paris (2017); Museum of Modern Art, Warsaw (2017); Swiss Institute Contemporary Art, Νew York (2016); Muzeum Sztuki, Łódź (2016); and Basel Liste (2014). He is co-founder of the feminist and queer project space Kem in Warsaw. Kem have recently realised projects at the Museum of Modern Art, Warsaw (Kem Care, 2017) and at the Ujazdowski Castle Centre for Contemporary Art (Three Springs, 2018–2019). He was a fellow at the Home Workspace Program, Beirut between 2012–2013. In 2018, he was the recipient of the Arts Foundation Award and the Frieze Artist Award. @baczynski.j 
Proyecto
Project
Ongoing processual choreographic work Unending Love, or love dies, on repeat like its endless.

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