Nina Beier & Simon Dybbroe Møller
PROTEIN
Nina Beier (Denmark, 1975) works with found objects whose value has been shaped collectively across different time periods, generations, or global realities. Hybrid and unstable, the objects she selects become elastic motifs — continuously mutating, slipping between meanings, and remaining in a state of transformation. Interested in how material culture reflects the power structures society is built upon, Beier’s sculptural practice excavates objects that carry layered and often contradictory cultural codes. Her work unpacks the space between intention, production, distribution, trade, and use, tracing how these forces shift over time and reshape both objects and their perceived value.
Simon Dybbroe Møller (Denmark, 1976) thinks with and through things. His practice searches for objects that appear suspended in limbo — blurred, transitional, and caught between disparate conditions of existence. He is drawn to objects and images that seem to have almost invented themselves, acting, in his own words, as “nonverbal articulations of our collective subconscious.” Through photography and sculptural gestures, he investigates the relationship between our most fundamental sensate experiences and the increasing autonomy of representational media. At the core of his work is an ongoing inquiry into how we transform media — and how media transforms us.
Residency: PROTEIN